As his director of the works, Baron von Eschwege put into effect the King's revivalist ideas and round the restored ruins of the monastery raised a majestic pastiche inspired by the palaces and castles of Bavaria. Fanciful to an extreme, the architectural fabric of Pena finds much of its inspiration in the Moorish, Gothic and Manueline motifs of Portuguese art, as well as in the Wagnerian spirit of the Schinkel Castles of Central Europe. It is to be noted that of the former 16th Century monastery there were preserved the Manueline cloister and the chapel, the latter with a celebrated Renaissance reredos by the sculptor Nicolau Chanterene.